8½ Online Streaming
Storyline 8½
With 8 ½ Frederico Fellini leaves a self-portrait where dreams and reality are a mix. With help from a most excellent cast and unique scenery this self reflecting film is one of his master works.
A picture that goes beyond what men think about - because no man ever thought about it in quite this way!
Movie details 8½
Release : 1963-02-14
Genre : Fantasy, Drama
Runtime : 138
Company : Cineriz, Francinex
Some Reviews
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Directed by Federico Fellini. With Marcello Mastroianni, Anouk Aimée, Claudia Cardinale, Sandra Milo. A harried movie director retreats into his memories and fantasies.
8½ (Italian title: Otto e mezzo [ˈɔtto e mˈmɛddzo]) is a 1963 Italian comedy-drama film directed by Federico Fellini. Co-scripted by Fellini, Tullio Pinelli ...
One of the greatest films about film ever made, Federico Fellini’s _8½_ (_Otto e mezzo_) turns one man’s artistic crisis into a grand epic of the cinema.
8½ is a 1963 film about a harried movie director who retreats into his memories and fantasies. It won the Academy Award for Best Foreign Language Film in 1963.
8½ on mubi.com. Find trailers, reviews, and all info for 8½ by Federico Fellini on this page. Now showing; Browse; Notebook; Login; Now Showing; Browse; Notebook;
8½ (1963) B One of the 15 films listed in the category "Art" on the Vatican film list. SDG. Once firmly established in the pantheon of the greatest ...
“The poetic fantasy of Fellini’s earlier films culminated in the baroque exuberance of 8½, in which the image is freed from reality to pursue the phantasms of ...
Mix - 04 - Nino Rota - 8½ - L'illusionista YouTube; Nino Rota - Music for the films of Federico Fellini - Duration: 1:12:48. Bazarov 234,035 views. 1:12:48
An early working title for 8½ was The Beautiful Confusion, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act.
At least half of all film-makers asked about the directors they most admire include Federico Fellini in their top three. And he seems to have a particular fascination ...
